Several years ago now, I was approached to write some songs for a collection of stories for an education company that was teaching English to children in Asian countries. These stories were selected from some of the most famous folktales, fables and original tales from all over the world, but more particularly from England and Europe. One of the stories that caught my attention was "Dick Whittington and His Cat." I had never heard of it before and was entranced by its charm. As I did some research into its origin and history, I was amazed by how it came to be.
“Dick Whittington and His Cat” is a very old English tale presented first in Pantomime form in England about 1605. It is loosely based on the story of a real person Richard Whittington who was elected Lord Mayor of London three times, in 1397, 1406, and again in 1419. English Pantomime was a much-loved popular entertainment for families from the English Renaissance (roughly 1520-1620). Certain stock players were expected in English Pantomime --- the Every-man (a normal, likeable young man that things happen to), a Love Interest (usually a young, feisty, fair maiden), the Do-good characters (kind persons, fairy godmother, beneficent wealthy person), the Dame (an extremely fat, over–the-top character who has a garish taste in clothing and wears outlandish wigs and make-up — usually played by a man), the Villain (ruffian, bill collector, jealous witch, evil Rat King, etc.), a Comic Duo who provide slapstick comedy, and at least one Funny Animal. Audience participation in the way of cheering, hissing, and booing was encouraged, as well as a sing-along during or at the end of the performance.
The great William Shakespeare himself used this framework for many of his comedies!
The idea of using this recipe to create a Children's Musical piece was intriguing. I have been pondering my approach for a couple of years. Now is the time to make it work. I have a deadline. My new show is due to start production in January of 2016. I have done research on some of the many versions of this play that have been produced over the years. Apparently, it has been popular, particularly at Christmas time, in England for over 400 years! It has a pedigree that I must respect. In my research, I never found it produced as a Children's Theater piece for child actors to perform, though. Mostly, it is presented by adult actors to an audience that may include children. But there are many versions in storybook form for children. Curious.
I have not discovered why it is so beloved and performed as a Christmas show, yet. Maybe someone out there can enlighten me!
“Dick Whittington and His Cat” is a very old English tale presented first in Pantomime form in England about 1605. It is loosely based on the story of a real person Richard Whittington who was elected Lord Mayor of London three times, in 1397, 1406, and again in 1419. English Pantomime was a much-loved popular entertainment for families from the English Renaissance (roughly 1520-1620). Certain stock players were expected in English Pantomime --- the Every-man (a normal, likeable young man that things happen to), a Love Interest (usually a young, feisty, fair maiden), the Do-good characters (kind persons, fairy godmother, beneficent wealthy person), the Dame (an extremely fat, over–the-top character who has a garish taste in clothing and wears outlandish wigs and make-up — usually played by a man), the Villain (ruffian, bill collector, jealous witch, evil Rat King, etc.), a Comic Duo who provide slapstick comedy, and at least one Funny Animal. Audience participation in the way of cheering, hissing, and booing was encouraged, as well as a sing-along during or at the end of the performance.
The great William Shakespeare himself used this framework for many of his comedies!
The idea of using this recipe to create a Children's Musical piece was intriguing. I have been pondering my approach for a couple of years. Now is the time to make it work. I have a deadline. My new show is due to start production in January of 2016. I have done research on some of the many versions of this play that have been produced over the years. Apparently, it has been popular, particularly at Christmas time, in England for over 400 years! It has a pedigree that I must respect. In my research, I never found it produced as a Children's Theater piece for child actors to perform, though. Mostly, it is presented by adult actors to an audience that may include children. But there are many versions in storybook form for children. Curious.
I have not discovered why it is so beloved and performed as a Christmas show, yet. Maybe someone out there can enlighten me!
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